Monday, January 4, 2016


I'm doing a lot of invisible work (you'll have it on your desk by Wheneversday), meaning I sit and type and my hands are still soft and clean. People say that. Josh says that. It's hard to point at some of my other work as work because it's equally soft. Every once in a while someone will order a pie. The dough is soft. The filling passes soft and arrives at liquid. You hardly notice the work on your hands, and that's fine. Cutting in the butter. Rolling out the dough. All by hand, but really all by forearm and upper arm and back. Push, push, push. It's no one's business and the soreness doesn't last long. Nothing lasts that long, especially the pie.

This time last year I finished writing a small book. This week I'm going through the edits the publisher sent and simultaneously patting myself on the back and covering my mouth because how did I miss that or that or that? I'm reminded a book is like anything else I've ever made. It's mine while I make it, but when I'm done it's someone else's. Let's say when I was 25 I would have had a problem with the passing of ownership, but let's also say when I was 25 I tried cultivating bad habits just to look cool.

And it didn't work.

I held a cigarette like I learned the pose from a cartoon character. I drank bourbon fast. Now I drink bourbon slow if at all. I smoked one cigarette last October because I wanted to keep a cute guy company in the cold. I did what I usually do, what one friend accuses me of doing too well--I pulled out the cute guy's history like I wasn't pulling at all. When I can't do that, when I can't find the thread, I'm at a loss. 2015 was me finding and losing, finding and losing, my own thread. The older I get the less I fear intangibles and so the less pressure I feel to make a scene with my words. I work on a lot all at once, but the stuff I really care about is physical and immediate. I've cycled back around from ideas to objects.

Drawing comes from a different hand than writing, and I've been drawing. This is no indictment of anyone but myself, but I can do a drawing and the same day get the approval of a hundred or so people on the Internet. Wait a month and maybe a thousand people have seen that drawing and approve. Writing takes longer and maybe seven people approve of a story unless that story wins me something, which is to say someone loudly approves of the story and gives you the permission to spend your time reading it. Even a few months ago this would be where I judge you.

Now I get it.

Maybe I should have gotten it earlier, like when I started getting tattoos. People ask what they mean, and I always say something different. Here's the truth time and distance deliver: I got tattoos to give you permission to acknowledge my body, something I neglected for a long time and now can't stand the thought of neglecting ever again. Repeat, the physical, the immediate, the shorthand in the interest of saving time. Typical Taurus.

My hands might be soft, but my fingers are crooked, and deep under the skin of my palms there are points of graphite, unpullable threads, stories I can't dislodge without a knife. The work's not so invisible then, just small and only as long-lived as I might be.

That said, I find new reasons to write. New routines. Coffee, which I never drank until last month, I now make and drink daily. I play records while I try to finish a story for someone who asked nicely. Josh wonders if I can concentrate on telling a story while listening to someone else (Neko Case, currently) tell another story. Good question.

We'll see.